Maria Callas 2024 HC.DVD9 Torrent Link

49/30

Maria Callas, the world’s greatest opera singer, spends the final days of her life in 1970s Paris as she comes to terms with her identity and life. Angelina Jolie and director Pablo Larraín discuss how they connect to the heartbreaking true story of world-famous opera singer Maria Callas. Refusing to be dubbed and wanting to sing herself, Angelina Jolie took seven months of opera lessons to prepare for her role. For the scenes set during Callas’ heyday, an estimated 90 to 95 percent of Callas’ original recordings were used, to which Jolie lip-synced. However, Jolie’s singing comes to the fore in the film’s final act. As Angelina Jolie lip-syncs to María Callas’ songs in the original recordings throughout the film, her mouth movements are out of sync with the audio. Maria Callas: Reserve me a table at a cafe where the waiters know who I am. I feel like awesome. Quoted in Close Up: Why do we need the Venice Film Festival? (2024). Otello, Act 4: “Ave Maria” (Desdemona), Performed by Maria Callas, Orchestra de la Société des Concerts du Conservatoire, Conductor: Nicola Rescigno, Written by Giuseppe Verdi, Arrigo Boito, A Warner Classics release, (p) 1964 Parlophone Records Limited, Remastered 2014 Parlophone Records Limited, Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group company. I have to say that director Pablo Larrain’s 2024 entry in his iconic trilogy about 20th century women was a disappointment. It starts with the casting, as Angelina Jolie herself is perhaps too iconic to portray the towering diva Maria Callas, the least known of the trio, the other two being “Jackie” (2016) and Diana in “Spencer” (2021). Jolie conveys the self-possession necessary to carry the majestic image of the world’s greatest opera singer, but physically she seems too skeletal to convincingly mimic the more robust figure Callas portrayed. The melancholy, long film, written by Steven Knight, covers the last week of Callas’s life in Paris in 1977, a fictionalized account with inevitable flashbacks that plays out cumulatively like a ghost story. All of the production elements, such as the polished cinematography and set design details, are impressively handled, but Larrain’s creative choices are rather questionable, for example the hallucinogenic imagery of choirs of people singing back to her in public spaces. There’s the ambiguous role of an interviewer (played opaquely by Kodi Smit-McPhee) who shares the same name as her prescription drugs and forces her to confront her legacy. Some of the flashbacks hint at more intriguing elements of her story, such as her rather immature relationship with Aristotle Onassis, her traumatizing encounters with Nazis as a child, and a fascinating conversation with JFK (played by Caspar Phillipson, who appears in the same, somewhat inconsequential role as in “Jackie”). Her insular life is lightened only by two devoted servants, poignantly played by Pierfrancesco Favina and Alba Rohrwacher. Still, Jolie’s star power is showcased in a way worthy of her unique talent for conveying hubris and vulnerability almost simultaneously. One Hundred Years of Solitude is one of this month’s biggest TV and streaming premieres. Check out our December calendar for more!

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